THE UNDERTAKERS
February 1961 to September 1961
Based in Wallasey. Evolved from BOB EVANS & THE FIVE SHILLINGS (who
claim to have been the first rock group on Merseyside) through THE VEGAS
FIVE. This line-up settled when Jones arrived to replace Les McGuire (who
went to GERRY & THE PACEMAKERS). Became THE UNDERTAKERS when a printer's
error in a local paper advertised them as that! Subsequently adopted black
clothing/top hat/wild west undertakers image. Evans, the founder and leader,
insisted they use nicknames (as had his heroes, Johnny & the Hurricanes):
thus he was Big Bow, McManus was Spam, Jones was Boots, Huston was Shine,
Nugent was Trad and Dave Cooper was Mushy - the only one that stuck. A
kidney ailment forced Evans off the road.
Line-up
Bob
Evans: drums (to Renegades);
Jimmy McManus: vocals;
Brian Jones: sax, vocal;
Chris Huston: lead guitar;
Geoff Nugent: guitar, vocal;
Mushy Cooper: bass.
September 1961 until
January 1962
Worked all the Merseyside haunts, building up a solid reputation as
a powerhouse band. Their repertoire of Anglicised US hits from the past
five years took in various elements of soul (Mary Wells, Isley Bros, the
Impressions, Solomon Burke), R & B (Rosco Gordon, James Brown), rock'n'roll
(Chuck Berry, Carl Perkins, Fats Domino)...but their tour de force was
'Mashed potatoes', an obscure dance stomp done originally by Nat Kendrick
& the Swans. Merseybeat newspaper, which had started in July 1961,
ran their first story on the Undertakers in issue 17: "they will be photographed
in a hearse for publicity material to be sent to the States", it said!
At the start of 1962, Mushy Cooper was cajoled into joining Faron's Flamingos
for a French tour.
Line-up
Mushy
Cooper: bass (to Faron's Flamingos);
Jimmy McManus: vocals;
Brian Jones : sax, vocal;
Chris Huston: lead guitar;
Geoff Nugent: guitar, vocal;
Bugs Pemberton: drums.
January 1962 until
July 1962
Lomax,
the most well known Undertakers (due to subsequent Beatle connections and
solo career), was from another Wallasey group, DEE & THE DYNAMITES
- as was Pemberton. Jones: "A lot of groups used to drive around the city
in big flashy cars - but we used to invest our money in equipment...we
had the best in Liverpool. In fact, we were the first group in the country
to have an all-Gibson guitar line-up, and the first with a 100 watt p.a.
As well as our own gigs, we often used to back Beryl Marsden and also the
Chants (a black vocal group), who used to do lots of Coasters songs. The
Beatles used to back them too; we were the two groups who knew the most
Coasters songs...but we had a sax, so we could sound more like the records.
Line-up
Jimmy
McManus: vocals (to Renegades);
Jackie Lomax: bass, vocal;
Brian Jones: sax, vocal;
Chris Huston: lead guitar;
Geoff Nugent: guitar, vocal;
Bugs Pemberton: drums.
July 1962 to December
1964
Their first stint in Hamburg, 9 weeks in summer 1962, ended with Nugent
and Jones behind bars. Their last German trip, two years later, ended with
an 18 hour interrogation at Checkpoint Charly. In the meantime, they'd
signed with Pye, who saw them as a treadmill group and failed to capture
their stage excitement on record (along with the Beatles and the Big Three,
they were reckoned best hard rockers). "Just a little bit", the best of
four singles, scraped the chart. In August 1964, they went to New York
for a chaotic few months of recording and gigs. Split up after a flu injection
paralysed Jones' arm for 18 months.
Line-up
Jackie
Lomax: bass, vocal (went solo);
Brian Jones: sax, vocal (now with Gary Glitter);
Chris Huston: lead guitar (studio engineer);
Geoff Nugent: guitar, vocal (C & W singer);
Bugs Pemberton: drums (now a joiner in US).
DISCOGRAPHY
(1963 - 1964)
SINGLES
'Everybody Loves a Lover'/ PYE 7N 15543
7/63
'(Do the) Mashed Potatoes'
'What About Us?'/'Money' PYE 7N
15562 10/63
'Just a Little Bit'/'Stupidity' PYE 7N 15607
2/63
'If You Don't Come Back'/ PYE 7N 15690
9/64
'Think' (as the Takers)
'(Do The) Mashed Potatoes' was included
on the compilation Package Tour (Golden Guinea GGL 0268). Brian
Jones of the Undertakers plays sax on B-side of the Beatles 'Let It Be',
'You Know My Name (Look Up the Number)'.
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